wire craft traditions
The hands behind the mesh, from spoii.world.
Every wire bag stands on a folk tradition. Long before metal mesh reached fashion, wirework was a livelihood — a craft of patience and pliers practised by people whose names mostly went unrecorded. This page is for them.
Slovakia: the tinkers' craft
The deepest European root is drotárstvo — Slovak tinker wirework. From the 18th century, craftsmen from poor northern villages travelled Europe mending pots with woven wire jackets and weaving baskets, trivets and toys from nothing but wire and skill. What began as subsistence became a recognised folk art — museums collect it, and UNESCO added it to the Intangible Cultural Heritage list in 2019. Its lesson sits inside every wire bag: wire, patiently looped, is fabric.
China: wire as ornament
Chinese metalwork has its own wire lineage — filigree (filigree) work in silver and gold, woven-wire vessels, and the modern craft revival that gave the knitted mesh bag its Chinese name, wire-mesh bag, and its first contemporary audience. The current bag trend is in a real sense a homecoming: ornament wire returning to daily use.
Africa: wire as art
Southern Africa turned salvaged wire into one of the great modern craft movements — telephone-wire baskets in KwaZulu-Natal, sculptural wire toys and beasts across Zimbabwe and South Africa. It is the most vivid proof that wirework thrives as living craft, not museum craft.
The machine detour, and back
The Jazz Age mesh purse was wirework's industrial chapter — beautiful, but machine-made. The current generation of knitted wire bags swings back to the hand: fine wire fights machines built for yarn, so the knitting is done by people, and the hand tension stays visible in the mesh. What you carry is legible craft — the argument of our handmade guide.
Carrying the tradition
Tonsiba (£95) is knitted from fine brass wire in small made-to-order runs — our contribution to a craft that has always deserved a place on the shoulder rather than the shelf.
Last reviewed: 2026-07-16