the rabanne 1969, and metal mesh's moment
Editorial from spoii.world — we are not affiliated with Rabanne.
When Rabanne reissued its chainmail shoulder bag — the 1969 — the whole category came with it. Suddenly metal mesh was on every feed: liquid silver discs at parties, chainmail halters in daylight, and renewed attention on every object made of linked or knitted metal. Credit where due: nobody sells the idea of metal-as-fabric like the house that invented its couture form.
Where the 1969 comes from
Paco Rabanne's 1960s collections — dresses of linked plastic and metal plates — were fashion's most radical answer to the question our metal mesh history traces from chainmail to the Jazz Age purse. The modern 1969 bag distils that legacy into an object: small metal discs, ring-linked, pouring over the shoulder like mercury.
What you pay for
Linked-disc construction is genuinely laborious, the components are metal, and a couture house's name completes the price. None of that is a swindle — but it is worth knowing that the material logic is not exclusive. Metal mesh has always existed at every price point: vintage Whiting & Davis pieces circulate from about £50, and the handmade knitted-wire tradition sells the same liquid-metal presence for a tenth of the designer figure.
Linked vs knitted
The 1969 is linked — discs joined by rings, fluid and scale-like. A wire-mesh bag is knitted — one continuous wire worked in loops, sheer and net-like, lighter for its size and still made by hand because fine wire fights machines. Same family, different dialects: one reads evening and polished, the other reads daylight and handmade.
The honest comparison
If the budget is couture, buy the couture — the 1969 is a genuine design. If what you want is metal mesh in your actual life, Tonsiba (£95) is hand-knitted brass at tote scale: carries the shopping, folds flat, and ages into a patina no reissue can offer. The wider moment both bags surf is mapped in our metallic trend guide.
Last reviewed: 2026-07-16